International Conference-Seminar, Paris, February 7th, 8th &
9th, 2001
THE POLITICS OF AUTHENTICITY
THE CASE OF MODERN AND CONTEMPORARY VISUAL ARTS IN INDIA
Amphithtre Yves Stourdz, Carr des Sciences, 1 rue Descartes, Paris 5e
Scientific coordination/coordination scientifique
* Centre d'Etudes de l'Inde et de l'Asie du Sud (CEIAS), Paris
:
-Gilles Tarabout, Centre National de la Recherche Scientifique
(CNRS)
-Denis Vidal, Institut de Recherche pour le Dveloppement (IRD)
* Tapati Guha-Thakurta, Centre for Studies in Social Sciences
(CSSS), Calcutta
Administrative coordination/ coordination administrative : Radhika Shaunik
With the financial support of/avec le soutien financier
de
Programme de coopration scientifique franco-indien : Maison
des Sciences de l'Homme (MSH), Indian Council for Social Science
Research (ICSSR), University Grant Commission (UGC) / Institut
de Recherche pour le Dveloppement (IRD) / Centre National de la
Recherche Scientifique (CNRS) / Programme International de Coopration
Scientifique "Perspectives critiques sur la globalisation.
Localit, nation et mondialisation partir de l'Asie du Sud"
(CNRS-CEIAS/London School of >Economics) / Ministre de l'Education
Nationale, de la Recherche et de la Technologie
*
PROGRAMME
*
Mercredi 7 fvrier/Wednesday, February 7th :
Debates on Nationalism, Modernity and Tradition
Û 10.00-10.30 a.m. : Introduction and Inaugural Session
Û Session I : 10.30-12.30a.m.
Tapati Guha-Thakurta What makes for the "authentic"
female nude in Indian Art? The tensions and contentions of art
history in modern India
Ajay Sinha Modernity and the Problem of Subject in Indian
Art Criticism
Discussion : É
Û Session II : 2.00-4.00 p.m.
Parul Dave Mukherji The Career of a Classical Aesthetic
Text, the Citra Sutra in Modern India
Kajri Jain Between the Smoky Mirror and the Proper
Light: Authenticity and 'Realism' in Indian Mass Culture
Discussion : Christian Michel
Û Session III : 4.00-6.00p.m.
Denis Vidal Displaced and Replaced : The Making
of Documentary Films and the Politics of Authenticity in Modern
India
Ravi Vasudevan Indian Cinema : Nationhood, Authenticity
and Realism in Film Discourses of the 1950s
Discussion : Jean-Luc Racine
*
Jeudi 8 fvrier/Thursday, February 8th :
Defining Art, Crafts and Popular Culture
Û Session I : 10.00-12.30 a.m.
Gilles Tarabout Can Art be Inauthentic ? Categorising Visual
Practices in XXth Century India
Renate Dohmen "Categorical Predicaments":
Threshold Designs in the Larger Fields of Art and Culture in post-colonial
India
Rosita de Selva The Authentic and the Advisable. Multiple
Creative Ways in a Bengali Painters' Community
Discussion : Emma Tarlo
Û Session II : 2.00-4.00 p.m.
Kavita Singh The Jewel and the Crown : Politics
of Display of Indian Art at the V&A Museum, 1935-1951
Virginia Whiles Miniature Painting in Pakistan Today. "Authenticity"
for Whom ?
Discussion : Clare Harris
Û Session III : 4.00-6.00 p.m.
Carlo Severi Authenticity and the Paradoxes of
Primitivism. Preliminary Notes on Aesthetics and Anthropology
Partha Mitter Primitivism, Nationalism and the Indian Artist
Discussion : Franois Flahaut
*
Vendredi 9 fvrier/Friday, February 9th :
Producing the Visual Cultures of Contemporary India
Û Session I : 10.00-12.00 a.m.
Stephen Inglis Rock, Paper and Scissors. Intersections
in Indian Art
Emmanuel Grimaud How a Highfunda put all Theories into Pieces
and Indicated to the World the Authentic Way of Film Making -
Notes on the Writing Process of a Manual for Film Makers
Discussion : Yves Goudineau
Û Session II : 1.30-3.30 p.m.
Janaki Nair "Past Perfect" : Architecture
and Public Life in Bangalore
Christiane Brosius Remapping Space: The Sacred Cartography
of Nationalist Pilgrimages in Hindutva Videos
Discussion : Sanjay Subrahmaniam
Û Final session : 3.45-6.00 p.m.
General discussion
*
Rsums /abstracts
www.inalco.fr/pub/enseignements/langues/asu/civi_asu/
www.vjf.cnrs.fr/himalaya/
*
A l'occasion de la confrence, la galerie Grewal Mohanjeet
12 rue Jacob, Paris 6e
organise du 7 fvrier au 10 mars une exposition d'Ïuvres des artistes
indiens
Dhawan, Manu Parekh, Neeraj Goswami, Paresh
Maity, Pavamani, Raza
(ouvert du mardi au samedi de 14h 19h)
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